Johannes Schult

The concert was the first of the current tour, so the setlist was a complete surprise to everybody. Once again, Chris de Burgh had compiled a nice mix of old and new tracks. I really like how he brings back different older songs every tour. He also presented a new song, The Fields of Agincourt. It was in the vein of his battle songs with various moods that culminated in a forte ending. The audience was attentive and rather relaxed, especially towards the end. I especially enjoyed the Moonfleet songs and The Ballroom of Romance. The cover songs worked surprisingly well and brightened the atmosphere even further. Brother John felt a bit out of place; and The Mirror of the Soul and Bal Masqué had already been played four years ago at the same place. Anyway, it was a pleasant concert with a solid band performance and De Burgh’s impressive voice.

1. Waiting for the Hurricane
2. The Spirit of Man
3. Up Here in Heaven
4. Missing You
5. The Traveller
6. Ship to Shore
7. The Mirror of the Soul
8. The Same Sun
9. The Escape
10. Greater Love
11. Already There
12. The Fields of Agincourt
13. Tender Hands
14. Living on the Island
15. Love and Time
16. Summer Rain
17. I’m Not Scared Anymore
18. Borderline
19. The Ballroom of Romance
20. The Lady in Red
21. Blue Bayou
22. Let It Be
23. Lady Madonna
24. Long Train Running
25. Africa
26. Brother John
27. Bal Masqué
28. Don’t Pay the Ferryman
29. High on Emotion
30. The Snows of New York
31. The Moonfleet Finale

I’m going to see Chris de Burgh live today in Trier. There’s not really a new album to promote, although I suspect that Footsteps 2 will be featured to a certain degree. Anyway, I just jotted down my dream setlist – simply for fun. I tried to make it somewhat realistic, knowing very well that he won’t play most of the songs. I mean, he just has too many great songs in his back catalogue.

1. The Storyman Theme (Intro)
2. Don’t Pay the Ferryman
3. Waiting for the Hurricane
4. Eastern Wind
5. Lonely Sky
6. In a Country Churchyard
7. We Can Work It Out
8. People of the World
9. The Revolution
10. Light a Fire
11. Liberty
12. Borderline
13. Say Goodbye to It All
14. Love and Time
15. There’s a New Star Up in Heaven Tonight
16. The Lady in Red
17. Africa
18. Timing Is Everything
19. Don’t Look Back
20. The Storm
21. Where Peaceful Waters Flow
22. High on Emotion
23. Read My Name
24. Crusader (Encore 1)
25. Transmission Ends (Encore 2)

Hier klicken!

(Quelle)

A list of books I finished reading in the last 12 months:

• Joseph M. Siracusa: Nuclear Weapons – A Very Short Introduction
• Elisabeth Rank: Und im Zweifel für dich selbst
• Jennifer E. Smith: Die statistische Wahrscheinlichkeit von Liebe auf den ersten Blick
• Dan Brown: Das verlorene Symbol
• Nicholas James: Cancer – A Very Short Introduction
• Andy McNab: Signal Bravo Two Zero
• Suzanne Collins: The Hunger Games
• Suzanne Collins: Catching Fire
• J. Meade Falkner: Moonfleet
• J. K. Rowling: Harry Potter and the Prisoner of Azkaban
• Elisabeth Streit: Renates erster Flug
• Elisabeth Streit: Renate als Luft-Stewardeß
• J. K. Rowling: Harry Potter and the Deathly Hallows
• Gearóid Ó hAllmhuráin: O’Brien Pocket History of Irish Traditional Music
• Lloyd Alexander: Der Setzerjunge
• Justin Cronin: The Passage
• Kai Bird & Martin J. Sherwin: J. Robert Oppenheimer
• Kevin Brockmeier: The Short History of the Dead
• John Green: Das Schicksal ist ein mieser Verräter
• Ian McEwan: Solar
• Flavia Company: Die Insel der letzten Wahrheit
• Susanne Schäpler: Schwarzes Blut
• Shania Twain: From This Moment on
• John Green: Paper Towns
• Frank Portman: King Dork
• Arthur C. Doyle: A Study in Scarlet
• Ildiko von Kürthy: Unter dem Herzen
• Arthur C. Doyle: The Sign of Four
• Laurie R. King: The Beekeeper’s Apprentice

This song is part of Edric Haleen’s Songwriting Cycle #3. I like the challenges Spencer Sokol gave me. I don’t like how I struggled to create a proper story. At some point I had this glorious idea of the first verse being as it is, but then the couple ends up at his brother’s house, only to find that his brother, who had wanted to go to the beach, did end up at Grandma’s place. The final verse saw Grandma happy at the beach. Anyway, I ran out of time and ideas. There was no brilliant insight at the eleventh hour, so I present you this littly ditty. Unfortunately, I haven’t yet found the time to listen to the other entries, but I’m sure they’re far better than mine!

Yesterday we took our car to drive to grandma’s house
I sat behind the steering wheel right next to my spouse

She was really confident we didn’t need a map
But I had just installed a new direction finding app
So five miles down the dusty road
My smart phone said: “turn right”
My wife protested: “no, no, no
Turn left by the traffic light”
I didn’t know just what to do
So I kept driving straight ahead
My phone said: “calculating new route”
While my wife was getting mad

After three such incidents things getting tense
My phone said we were getting there, ignoring some dead ends
But ten miles down the dusty road
It said: “please turn around”
My wife protested: “no, no, no
We should be westward bound”
I didn’t know just what to do
So I kept driving straight ahead
My phone said: “calculating new route”
While my wife was getting mad
My wife was getting mad

“Unquestionably the funniest song you will ever hear about THE FAULT IN OUR STARS.” –John Green

This ain’t a book about a ballet dancer
No, it’s a book about a book about cancer
But there is something that is more important
This book mentions Natalie Portman
In 3 out of 25 chapters – I think she’s pretty scarce
That’s the fault in “The Fault in Our Stars”
Yeah that’s the fault in “The Fault in Our Stars”

If you do the math then you will see
22 chapters without Natalie
The ones that mention her are way too short, man!
John Green should have added way more Portman
It wouldn’t have been as difficult as landing a rover on Mars
That’s the fault in “The Fault in Our Stars”
Yeah that’s the fault in “The Fault in Our Stars”

At least the book doesn’t end in the middle of

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Maybe the most impressive feature of the concert in Bamberg (29th August 2012) was the sound. Live concerts tend to be loud and more often than not individual voices are lost in the mix. Not so here. The sound was crystal clear, yet warm and chiming. No pounding drums, no thundering bass, no screeching guitars, no dominant keyboards – just music. The venue was filled with melodies and, of course, Chris de Burgh‘s strong voice. He appeared on stage shortly after 8 pm and received a lot of applause. The first two songs – “First Steps” and “Fatal Hesitation” – seemed to me a bit like a warming up. It was the next song, “Sailing Away”, that really grabbed me, possibly because it was pretty much the first de Burgh song I consciously heard, back in 1990 as a 10 year old boy when my parents watched the Live in Dublin VHS tape.

The solo versions of the songs lacked extensive solo parts – which was a good thing, if you ask me. There were no excessive sing along parts, no fancy song intros; we got “pure” Chris de Burgh. There were a lot of ballads on the setlist, which was fine with me. “Love and Time” worked very well in the new arrangement and “Carry Me (Like a Fire in Your Heart)” was just soo beautiful. There were a couple of songs I found less engaging, like “It’s Such a Long Way Home” and “Oh My Brave Hearts”. The latter one is just rehashing “The Revolution” in my opinion. Thankfully, “The Revolution / Light a Fire” was played, eventually. I had seen some of the previous setlists online, so I wasn’t completely surprised by the setlist. Still, the songs that were requested specifically in Bamberg (e.g. “In Love Forever”) were pleasant surprises. I’m so glad this tour takes place, because as much as a “regular” concert can be entertaining, the “immediateness”, the anything-goes aspect made this evening unique. Chris also told us that he had learned a new phrase in German: “Die Küche ist geschlossen.”

He was in a good mood and had no trouble at all entertaining 1200 people for about 2.5 hours straight. It was clear that he couldn’t play all requests; and personally I would have liked to hear any other song from Moonfleet (great album) than the two he played (“Pure Joy”, “Everywhere I Go”). But I’m not complaining. There were so many great songs (“The Road to Freedom”, “In a Country Churchyard”, “Where Peaceful Waters Flow”, “Waiting for the Hurricane”, “The Girl With April in Her Eyes”) from almost all albums, I rarely stopped smiling. A particular highlight this time around (itwas only my second Chris de Burgh concert after Trier 2009) was “Say Goodbye to It All”. It was preceded by “Borderline”, which sounded good, but cheesier than necessary due to the e-piano-strings. The all piano version of “Say Goodbye to It All” gave the song a fresh feeling, made it less repetitive and, well, I enjoyed it immensely. I was surprised how well “A Woman’s Heart” worked as a dancing song. The funniest part of the evening was probably when he sang the line “the perfect man” and hinted at himself with a grin.

The performance was spot on and certainly not something you get to see every day (or even every year). I don’t think it resembled the early days of Chris’ career, when he had to struggle with sound, lighting and (Supertramp) stage managers. Still, it showed the essence of the music as well as the charming personality of the man way better than any fancy stadium show could ever do. My seat in row 2 had cost more than 80 Euros, which was quite expensive in my opinion. Then again, there were hardly any empty seats in the room, so it all comes down to supply and demand. And this evening wasn’t about economics, but all about music and stories. And I had a great evening!

1. First Steps
2. Fatal Hesitation
3. Sailing Away
4. Missing You
5. Here Is Your Paradise
6. It’s Such a Long Way Home
7. In Love Forever
8. Tender Hands
9. Songbird
10. Pure Joy
11. Borderline
12. Say Goodbye to It All
13. The Road to Freedom
14. Sailor
15. Oh My Brave Hearts
16. Waiting for the Hurricane
17. In the Ghetto
18. Love and Time
19. Carry Me (Like a Fire in Your Heart)
20. The Girl With April in Her Eyes
21. Spirit
22. In a Country Churchyard
23. The Lady in Red
24. The Revolution / Light a Fire
25. Everywhere I Go
26. A Woman’s Heart
27. Where Peaceful Waters Flow
28. Don’t Pay the Ferryman
29. High on Emotion
30. Those Were the Days
31. The Snows of New York
32. Goodnight

Just three months after I had seen Dr. Frank in Baltimore, he came to Europe for a string of acoustic gigs. The last show of the tour took place at the Autonomes Zentrum in Aachen, a former bunker located beneath the train station. There were about 40 people, few enough to allow Kepi Ghoulie play the first couple of songs unplugged. His music combined classic Bob Dylan and Rolling Stones vibes with a vivid punk rock spirit. His performance was certainly entertaining and enjoyable.

I usually prefer artists who don’t stick to a static setlist during a tour. Now last night was very much a dynamic event. It helped that the concert felt a bit like a living room show due to its size. Consequently, Dr. Frank’s set was filled with surprises and requests. (I got to hear “Will You Still Love Me When I Don’t Love You?”!) All those great rocking songs from the Mr. T Experience worked very well in an acoustic setting. For once, you could hear all the lyrics perfectly. Did anyone ever award some prize to Dr. Frank for the most clever and wry punk rock lyrics? Why not? What do you mean, there’s no Nobel Punk Prize? Anyway, the show was great and the mood was relaxed. There were so many amazing songs! I feel compelled to list some titles, because they remind me of the fun I had during the gig: “You’re the Only One”, “Swiss Army Girlfriend”, “Jill”, “Sackcloth and Ashes”, “Swallow Everything”! The lack of recognition from mainstream music fans breaks my heart. And yet I’m totally happy that I got to experience this concert close up. The next time Dr. Frank comes to town (or as in my case to a town that’s a three-hour drive away) you better go see him!

1. How’d the Date End
2. I Wrote a Book About Rock and Roll
3. You Today
4. My Name Is Morgan (But It Ain’t J.P.)
5. More Than Toast
6. Mr. Ramones
7. You’re the Only One
8. Swiss Army Girlfriend
9. ???
10. Fucked Up on Life
11. Now That You Are Gone
12. Even Hitler Had a Girlfriend
13. Jill
14. Will You Still Love Me When I Don’t Love You?
15. Sackcloth and Ashes
16. She Turned Out to Be Crazy
17. Swallow Everything

Disclaimer: I didn’t film all my food. For example, I had a mushroom cheesesteak in Bethlehem that tasted quite good. I also had an undocumented slice of pizza during the first weekend. Anyway, here’s a video recap of my recent trip to the United States.

Thursday, June 28th, found me attending the seventh music event on the eighth day of my vacation. I had strolled the streets of Manhattan earlier that day and ate a delicious veggie burger at Earthmatters (177 Ludlow St New York, NY 10011). My feet got tired, eventually, and it was still rather hot outside, so I went to the Rockwood Music Hall in time to catch a couple of songs by the first artist playing there that evening. Matt Dorien sounded quite nice, playing some sort of mellow but not really mellow country folk songs (a bit Paul Simon-y in terms of the vocals) with a neat backing band. The sound man provided a good, balanced mix throughout the evening; my tortured ears were thankful. There were eight people in the audience (including me). I could write a whole post about this alone, because it shows a) that playing in NYC isn’t necessarily as glamorous as it sounds and b) despite the meagre attendance, the musicians gave it all and earned if not money at least valuable respect and experience.

Next came Emily Elbert, a jazzy singer who accompanied herself on acoustic guitar. She actually tore one of the strings towards the end, because her playing was quite energetic, yet still artistic. Her command of her talent was impressive, however, I’m not a fan of such daring tonalities. The crowd (about 25 by now!) liked her quite a bit, though. Daniel and the Lion played laid back folk songs, but they had an aweful lot of very somber, soft songs. My attention drifted time and again as I failed to connect to the songs. The duo (piano and guitar/vocals) had come from Wisconsin to find about 30 people listening (which made the venue half-empty/half-full). Again, I doubt any artist can achieve sustainable success without this sort of commitment. Still, even then it comes down to whether the front row is swinging in the groove or not. People seemed to enjoy the show and were listening attentively during the quiet parts, even though they had chatted loudly just a few minutes earlier. This certainly helped to make the performers feel good.

Around 9 pm it was time for Sophie Madeleine, the reason I had come to the venue. She’s one half of Rocky & Balls whom I first found out about through Tom of the Boffo Yux Dudes. Some of her songs are way too “fluffy” for my taste. Still, she has produced a few gems – and admission was free, after all! When Sophie (together with Timothy on guitar and harmony vocals) entered the stage, I was skeptical, because there was a ton of gear. Miraculously, the change over didn’t take too long and everything worked. When the show began with pre-recorded loop samples, I was afraid that the gig would turn into a karaoke session. Thankfully, this wasn’t the case. Most songs were played 100% live – and for some songs, the loops were recorded on location, which was quite fascinating. Sophie did play my favourite song of hers, “Little One“, so I was happy. She also premiered a new song that was possibly the most introverted of the songs she played. The audience (still 30 noses) was once again attentive yet a bit reserved. I found it quite impressive to see such a flawless performance close-up in this small room right there in the middle of the big city.

I was tempted to stay longer because all artists had been quite skilled and four more were to play. (The venue has hourly slots for artists every day of the week.) But my hotel bed beckoned and I wanted to end my week-long music adventure with a positive memory – and Sophie Madeleine had just provided one.

1. Song to Fall in Love to
2. The Rhythm You Started
3. Little One
4. Stars
5. Butterfly Child
6. Beautiful Lie (new song, not sure about the title)
7. Come Follow Me