Archive for October 2013

Meet Dave Carter & Tracy Grammer

When was the first time you heard Simon & Garfunkel? Which song was it? Did you like it instantly? Do you want to have a similar experience? Then meet Dave Carter & Tracy Grammer. You will hear beautiful harmony vocals, nuanced lead melodies, a folky-edge, and a reckless passion for original music. You will find lyrics that venture beyond beyond the run-of-the-mill nonsense of mainstream pop music. And be warned: You will end up yearning for more even though you know very well that the duo is no longer making new music.

Just like Simon & Garfunkel, Dave Carter & Tracy Grammer do not have one typical song. They have a dozen or so masterpieces. And yes, they have some weaker songs, as well. The bleak banjo of “When I Go” is a signature moment; the upbeat number “Gentle Arms of Eden” is another one. “Kate and the Ghost of Lost Love” – a haunting ballad – has been said to have attained the ever-ellusive state of perfection. And then there is “The Mountain”, an enigmatic tune that Joan Baez once played for the Dalai Lama. Personally, I would recommend their 2002 album “Drum Hat Buddha” to newcomers. “Ordinary Town”, its opening track, is the sort of simple song which takes a talented songwriter years to flesh out. Dave Carter’s songwriting, however, is effortless. Tracy Grammer’s clear voice brings the song to life and is augmented by subtle harmonies in the chorus. The second song paints a seemingly complete picture of “Tillman Co.”, mostly thanks to the catchy mandoline hookline and Carter’s poignant vocal performance. I could go on, but hopefully you get the picture. The lyrics are remarkably thoughtful, yet the music is mostly positive and uplifting. This is especially true for “Happytown”, the opener of their second album “Tanglewood Tree“.

Sadly, your local record store is unlikely to carry the duo’s works. I suggest you make the effort to get the music through Tracy Grammer’s homepage, webshops, or digital downloads; regard it as an active protest against soulless mainstream plastic songs and music business politics. Or better, regard it as a treat for your ears and your heart.