Tim Minchin Is Awesome

Last week I got my copy of Tim Minchin’s double album “Live at the O2”. It is totally awesome. I will rave about this for the remainder of this entry. Of course, I hope that you’ve already heard of Tim and that you just keep nodding while you read this. If for some sad reason you haven’t heard of Tim Minchin yet, you’re in for a treat.

Tim is an amazingly talented person. He’s a singer, a piano player, a comedian, a thinker, and an all around fun guy. He comes all the way from Australia. Last month he played a concert in the O2 Arena in London, England. There he made statistic jokes in front of 10,000 people. And he sang about how it’s overly simplistic to divide everything into two groups. This may sound boring when I write it. But trust me, it’s hilarious. No, wait, don’t trust me – check it out yourself! A recording of the concert is available from Tim’s homepage. The song about dichotomies is on it. It’s called “The Fence”. No, that’s not really funny. But the song itself is funny. And it’s also terribly catchy – and beautiful. Even if the music is not your cup of tea, you might still want to hear Tim’s talk between songs. The way he rants about “poo and crocodiles” being “natural organic substances” is priceless. (Actually, it’s 10 pounds for the download version, a few more for the CDs.)

Another highlight is “Thank You God”. It’s basically a song about evidence. Again, it starts out with a wonderful introduction during which Tim remarks that “Love without evidence is stalking.” He then launches into a wild bonanza of pop, big band and the debate on prayer (incidently solving the latter). To illustrate the extent of awesomeness achieved here, let it suffice to say that I’m totally in love with the brass section on this track. Seriously, it’s fantastic! Ba, badada, ba. Yes, it’s the part where the lyrics go something like “mistaken attributional causation born of a coincidental temporal correlation.”

The set contains several other new songs (“Cont”!) along with a collection of old songs like “If I Didn’t Have You” (“You’re obviously special but you fall within bell curve.”), “Not Perfect” and the wonderful Christmas song “White Wine in the Sun”. I was skeptical about Tim being joined by an orchestra. But the result speaks for itself, I think. (Hint: It’s great!)

Until now I’ve focused on “Live at the O2”, mainly because it’s new and offers a perfect showcase of Tim Minchin’s wit and talent. That doesn’t mean that his older material isn’t worth further attention. But I already raved long enough to make my point – which is: Tim Minchin is awesome!

PS: Tim Minchin is probably not for you if you’re easily offended by atheism, cursing, and sarcasm. There is, of course, much more to the songs than that. And when Tim manages to put what feels like 300 fucks into his 3-minute long “Pope Song”, the underlying anger is far from baseless.

Jutze 52 #52 – 52-Second Song

This song is sung from the perspective of a 52-second song. It sums up one of the main goals of “Jutze 52”. I wrote and recorded it back in spring.

This track is licenced Creative Commons (by-nc) – just like all my 52-second songs. This means you’re allowed to copy, share, edit, adapt the song right away (no need to ask me for permission) as long as you don’t make money with it (non-commercial) and attributed the music to me. So you have the perfect filler for the ending of your next mix tape (or mix CD or mix iPod or whatever it is that is being mixed these days).

#52 52-Second Song

Hi there, I’m a 52-second song
Just a short one, just a quick one
To fill up the remaining free space on this CD
This is why I’m here – the reason for my existence
This is why I’m here – a 52-second song

And it’s just a coincidence that I’m also here to tell you
That whoever made this CD does care a lot about you
This is why I’m here – the reason for my existence
This is why I’m here – a 52-second song

And while we’re at it
Please save the whales!
This is why I’m here – the reason for my existence
This is why I’m here – a 52-second song

(words and music by Johannes Schult)

Jutze 52 #40 – The Queue to the Loo

This song began with the title, which I picked up at Summer School in Cambridge (September 13th, 2010). Once the lyrics were set I got the main structure while walking through the streets of Cambridge. I then programmed the rhythm section and added a few organ tracks late at night in bed. Back in Germany I added a couple of electric guitar tracks to spice things up a bit. The song could have done with a real band and a bit more time, I think. But hey, aren’t those organ samples already awesome?

#40 The Queue to the Loo

This pressure inside is driving me over the edge
The closer I get, the longer the seconds stretch
Time and space are relative, it’s true
When you’re waiting in the queue to the loo

The situation is as tense as it gets
It’s the perfect place to set up diaper ads
You wonder if there’ll be some TP left for you
When you’re waiting in the queue to the loo

Waiting to step forward, there’s nothing you can do
When you’re stuck in the queue to the loo

(words and music by Johannes Schult)

Jutze 52 #5 – Gives Girls the Edge

This one was inspired by Self-discipline gives girls the edge: Gender in self-discipline, grades, and achievement test scores (Duckworth & Seligman, 2006). I had the title in mind while I was writing the chorus. Once I had the whole song, I figured I could just write some lyrics about the actual article. A 52-second song certainly cannot do a whole scientific paper justice. But maybe it’s entertaining; and maybe it spreads a tiny bit of knowledge from academia into rock music.

#5 Gives Girls the Edge

Gotta do, gotta do her homework
Gotta do, gotta do her job
Gotta pay, gotta pay attention
Gotta pay, gotta pay her bills
It seems there is one thing, one thing that
Gives girls the edge
Gives girls the edge
Gives girls the edge
Gives girls the edge
Self-discipline gives girls the edge

It seems that boys don’t have the one thing that
Gives girls the edge
Gives girls the edge
Gives girls the edge
Gives girls the edge
Self-discipline gives girls the edge

(words and music by Johannes Schult)